Grapes and Plums in Glass Dish
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The palette in this painting by award-winning artist Susan Paterson is deeply rich but restrained, dominated by purples, warm plum red, icy whites and the absorbing dark void behind the subjects.
Paterson uses the chiaroscuro technique to full effect in her still-life compositions. A directional light source from the left beautifully illuminates the translucent skin of the grapes and catches the complex facets of the crystal pedestal bowl.
Created in 2026, this painting has been framed in an elegant dark brown 2.25 in. moulding with a 0.5 in. silver/pewter liner. The framed dimensions are 14 x 14 in.
ARTIST STATEMENT -
My work evokes the past, both in technique and in subject. I do highly detailed studies of landscape, florals and everyday objects, capturing the subtleties of the light, colour and textures that are so fascinating but so often overlooked. When I’m painting I love getting lost in the details and the challenge of creating an illusion that explains how I feel about what I see. I’m fascinated by light and how it describes form, changes colours, is reflected back and disappears into the dark depths of a background. I work in subdued colours, preferring the subtleties of the subject to stand out. I get great pleasure from slowing down, spending hours intently observing and trying to capture the incredible beauty that surrounds us.
- Susan Paterson
ARTIST BIOGRAPHY -
Susan Paterson was born in 1958 in Halifax, Nova Scotia. She attended Mount Allison University receiving her Bachelor of Fine Arts in 1980. She has also attended Byam Shaw School of Art in London, England; NSCAD, Halifax; Academy of Realist Art, Toronto; School of the Museum of Fine Arts, Boston and Grand Central Atelier, New Hampshire. Her studies have been supported by an Elizabeth Greenshield’s grant, a Nova Scotia Arts Council grant and an Academy of Realist Art scholarship.
Susan has exhibited extensively across Canada since the early eighties, presenting more than thirty solo shows and many more group shows including ‘Capture 2014, Nova Scotia Realism’ juried by Tom Smart and Peter Dykuis which travelled throughout Nova Scotia and ‘Terrior, a Nova Scotia Survey’ at the Art Gallery of Nova Scotia. In 2019, her work was included in the Art Renewal Center Live Exhibition at the European Museum of Modern Art (MEAM) in Barcelona and in 2021 was again included in the ARC live exhibition at Sotheby's in New York and the MEAM in Barcelona.
Susan’s work has been chosen as a finalist three times in the online BoldBrush painting competition, three times in the still life category of Art Renewal Center’s Annual International Salon and three times in International Artist magazine’s competition. She won the Grand Prize in International Artist Magazine Challenge, Dec/Jan 2024 issue, second place in the ARC 14th Salon Still Life Category, a Purchase Award and Fashion Week San Diego Award in the ARC 15th Salon and third place in the Boldbrush painting competition. She is the recipient of the Nova Scotia Arts Council Presentation Grant to take part in and attend an exhibit of ARC prize winning paintings from the 14th International Salon at the MEAM in Barcelona, Spain 2020. As well she was chosen for artist residencies at Port Bickerton Lighthouse, Port Bickerton, NS and Sherbrooke Village, NS.
Her work is in private, public and corporate collections all over the world including the City of Dartmouth, Art Renewal Center, Nova Scotia Art Bank, the Art Gallery of Nova Scotia, the University of New Brunswick, Bell Canada, Husky Oil, Magna International, Oshawa Foods, Citibank, Olympia and York Developments and K.K. Sakai, Tokyo, Japan.
Publications featuring Susan’s work include ‘From Land and Sea: Nova Scotia’s Contemporary Landscape Artists’; ‘Take your Time with Each Step’, International Artist magazine and ‘Master Painters’, International Artist magazine. She has been commissioned by the Dept. of Medicine, Dalhousie Univ., Heritage Museum, Dartmouth; Art Gallery of Nova Scotia; Sherbrooke Village and Mount Allison Football Program.
